Anfisa Alexeyeva

Behtab is a sans-serif font family designed by Naghi Naghashian in tree weights. Behtab Light, Behtab Regular and Behtab Bold. It is extremely legible even in very small size.

This font family is a contribution to modernisation the Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Behtab supports Arabic, Persian ( Farsi ) and Urdu.

It also includes proportional and tabular numerals for the supported languages.

Behtab design fulfills the following needs:

A   Explicitly crafted for use in electronic media fulfills the demands of electronic communication.

B   Suitability for multiple applications. Gives the widest potential acceptability.

C   Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Bauhaus Arabic’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text.

D   An attractive typographic image. Behtab was developed for multiple languages and writing conventions. Behtab Arabic supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages.

E   The highest degree of calligraphic grace and the clarity of geometric typography.

Kickers is a mix of vintage look and serif styles. The combination of beautiful letter and vintage style serif makes Kickers a versatile that can be used in many different themes of design projects. Available in two styles regular and outline are suitable and ready to be used together for your next design!

Kickers is well-suited for advertising, magazine, branding, logotypes, packaging, titles, headlines and editorial design. It was definitely fun putting together these laid back vintage vibes.

The original design came from Berthold Herold typeface, designed by Hermann Hoffmann during 1913 (Art Nouveau style) in Germany. This project started from flyer printed during 1947 with movable type, the specimen was scanned as a source to development some of the uppercase letterforms. However the most unusual and tricky element from this sample is the leg from the uppercase (R) which is different from the original Herold design, until now I didn’t found where this version originally came from. This font family only contain the bold weight, but there are also a stencil and expanded versions available.

The original design came from Berthold Herold typeface, designed by Hermann Hoffmann during 1913 (Art Nouveau style) in Germany. This project started from flyer printed during 1947 with movable type, the specimen was scanned as a source to development some of the uppercase letterforms. However the most unusual and tricky element from this sample is the leg from the uppercase (R) which is different from the original Herold design, until now I didn’t found where this version originally came from. This expanded version only contain the bold weight, however there are also stencil (Nouveau LX Stencil) and condensed version (Nouveau LX) available.

The original design came from Berthold Herold typeface, designed by Hermann Hoffmann during 1913 (Art Nouveau style) in Germany. This project started from flyer printed during 1947 with movable type, the specimen was scanned as a source to development some of the uppercase letterforms. However the most unusual and tricky element from this sample is the leg from the uppercase (R) which is different from the original Herold design, until now I didn’t found where this version originally came from. This stencil typeface only contain the bold weight, but there are also available other versions without stencil cuts, like Nouveau LX and Nouveau LX Expanded.

Great Monday is unique, fresh and beautiful handwritten font for branding / logo design / logotypes / greeting cards / promotional graphics and anything in between. Great Monday is completely handmade with passion, perfection as well as aesthetics at it's level best.

Unique Ligatures

We have created 14 unique ligatures to make sure the font looks beautiful and professional.

Extended Character Sets

Along with the basic Latin character set, we have added Western European, Central European, South Eastern European character sets for your convenience. The font contains a total of 336 glyphs.

Advanced Kerning

We have performed advanced, in-depth kerning for all possible letter combinations.

What You Get

This font being a handmade typeface, comes with only single weight (Regular).

CREDITS: Font designed by Lis at Fontastica, produced by Fontastica, distributed by Designova. Created with ProCreate and Fontself on iPad Pro.

Hilsa is a new, very interesting brushed font. This font family is perfect for branding projects, logos, product packaging, posters, invitations, greeting cards, news, blogs, everything including personal charm and more.

Hilsa offers OpenType features, some ligatures and swashes, initial and terminal letters, and International support for most Western Languages.

To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions.

How to access all alternative characters, using Windows Character Map with Photoshop:

https://www.youtube.com/watch?v=Go9vacoYmBw

How to access all alternative characters using Adobe Illustrator:

http://youtu.be/iptSFA7feQ0nn

Hilsa is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favorite text editor/app.

Thanks so much for looking and please let me know if you have any questions.