Anfisa Alexeyeva

Hefring Slab Variable is a modern Slab Serif. Based on simple geometry, it has minimal stroke contrast, solid serif presence and a uniform thickness of strokes. Inspired by the work of the renowned Margaret Vivienne Calvert, Hefring Slab Variable is robust, clear and functional. It supports Latin-based languages, available in Regular and Italic and allows you to create custom weights within the versatile width and weight parameters.

Rinzler AOE is a revival of a LetterGraphics film type called Caren. A modular, mechanical, sans-serif stencil all rolled up into one retro typeface. It's not an all-purpose typeface, it's not an everyday typeface, but it is a cool typeface for the right design projects.

Rinzler AOE carries itself with a bold weighted style, and stencil cutouts that don't follow standard stencil formatting. It might be considered more of a techno stencil (if there is such a thing). It reminded me in a vague way of TRON, hence the main poster graphic styling, although it looks NOTHING like the Tron titling typeface. Nevertheless, it's a fun typeface that needed to be preserved and used again.

WHAT'S INCLUDED:

Extensive language support. Rinzler has accented and special characters that support the following languages: Afrikaans, Albanian, Basque, Bosnian, Breton, Catalan Cornish, Corsican, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Galician, German, Hungarian, Icelandic, Irish, Indonesian, Italian, Kurdish, Leonese, Luxenbourgish, Malay, Maltese, Manx, Maori, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Occitan, Oromo, Polish, Portuguese, Rhaeto-Romanic, Romanian, Scottish Gaelic, Scots, Serbian (Latin), Slovak, Slovenian, Spanish, Swahili, Swedish, Tagalog, Turkish, Walloon, & Welsh.

One of my guilty pleasures is in taking the time to recreate historical typefaces as digital fonts, but a lot of incredible historical typestyles created as wood or metal or film type usually have bare bones character sets and have been lost or only exist as limited specimen proofs in old books. These typefaces may have more niché uses than modern typefaces, but I believe it is important nonetheless to preserve these typefaces for future generations. These typefaces, if nothing else, can often inspire new creations.

The Brazzari Pro AOE is an unusual but fun geometric typestyle design. It is the historical revival and elaboration of the "Bizarre" typeface created by MacKellar, Smiths, & Jordan Co. in 1884. What began as a basic character set of Capitals, lowercase, numerals, and a small handful of punctuation characters has been expanded to a full character set including unlimited fractionals, superiors & inferiors, ordinals, tabular & proportional figures, and an expanded language glyph set, all with a smallcaps and Caps to Smallcap set to match. Definitely a niché use typeface, however, it has some great appeal.

The letterforms of Brazarri Pro AOE are easy to convert to paths and extend various stems, making this revival something you can really let your imagination run wild with for your designs.

WHAT'S INCLUDED:

Enable the Stylistic Alternates feature for standardized letterforms without the extensions.

Extensive language support. Invocation has accented and special characters that support the following languages: Afrikaans, Albanian, Basque, Bosnian, Breton, Catalan Cornish, Corsican, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Galician, German, Hungarian, Icelandic, Irish, Indonesian, Italian, Kurdish, Leonese, Luxenbourgish, Malay, Maltese, Manx, Maori, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Occitan, Oromo, Polish, Portuguese, Rhaeto-Romanic, Romanian, Scottish Gaelic, Scots, Serbian (Latin), Slovak, Slovenian, Spanish, Swahili, Swedish, Tagalog, Turkish, Walloon, & Welsh.

One of my guilty pleasures is in taking the time to recreate historical typefaces as digital fonts, and expand on their character sets to enable them to be used more widely than their limited originals. A lot of incredible historical typestyles created as wood or metal type with bare bones character sets have been lost or only exist as limited specimen proofs in old books. These typefaces may have more niché uses than modern typefaces, but I believe it is important nonetheless to preserve these typefaces for future generations. These typefaces, if nothing else, can often inspire new creations.

Greycliff Hebrew CF adapts Greycliff’s soft, geometric design to the Hebrew script. Both Latin and Hebrew glyphs are included, allowing for visually cohesive multiple-script applications. Greycliff’s original nine weights are covered, alongside diacritics, cantillation marks, and wide Hebrew-script language support.

Greycliff Hebrew CF works as a complete, self-contained type system, with both Hebrew and Latin scripts included and designed to compliment one another.

All typefaces from Connary Fagen include free updates, including new features, and free technical support.

Greycliff Hebrew CF adapts Greycliff’s soft, geometric design to the Hebrew script. Both Latin and Hebrew glyphs are included, allowing for visually cohesive multiple-script applications. Greycliff’s original nine weights are covered, alongside diacritics, cantillation marks, and wide Hebrew-script language support.

Greycliff Hebrew CF works as a complete, self-contained type system, with both Hebrew and Latin scripts included and designed to compliment one another.

All typefaces from Connary Fagen include free updates, including new features, and free technical support.

Greycliff Hebrew CF adapts Greycliff’s soft, geometric design to the Hebrew script. Both Latin and Hebrew glyphs are included, allowing for visually cohesive multiple-script applications. Greycliff’s original nine weights are covered, alongside diacritics, cantillation marks, and wide Hebrew-script language support.

Greycliff Hebrew CF works as a complete, self-contained type system, with both Hebrew and Latin scripts included and designed to compliment one another.

All typefaces from Connary Fagen include free updates, including new features, and free technical support.

Dark Star is a modern, futuristic typeface with a sci-fi, high-tech look.

The letter design is a geometric sans but also slightly rounded to make a more organic and natural impression.

The suggested use for Dark Star is logo design, headlines in editorial design, packaging, web and print titles and game design.

This futuristic typeface was designed in 2021, released by pleasurefonts and comes in 6 weights with a glyphs amount of 394.

Lokko is a modern sans serif geometric font, includes upper and lower case characters, Latin, Cyrillic, Latin Extended symbols and other.

The Lokko family consists of 8 fonts, divided into 2 subgroups (according to the type of style - St, Cut), and have the 4 types of thickness in each subgroup.

Lokko fonts will be useful in developing a brand, creating posters and other graphic products, and for word processing.

INTRODUCING

NUCLEO – Modern Display typeface!

NUCLEO is a modern monoline font with unique style that will make your design looks modern and futuristic. You can use this font for any purpose, especially to make logotype like a technology logo brand. This typeface is comes in uppercase, lowercase, punctuation, symbols, numerals, etc also support multilingual.

Enjoy!

Hemicube is a geometric logotype font, created by Mans Greback in 2020. 

Its futuristic lettering follows a mathematical pattern while being minimalistic and clean, which makes in work perfectly in sci-fi or technology context graphics. 

It is a three-style typeface family; in addition to the regular Hemicube style, it also comes as a basic Type style as well as a monogram Logo style. 

In the Hemicube Logo font, write any three capital letters to make a cube monogram. Example: ABC

Use underscore to create a logo with fewer letters. Examples: A_B _CD _E_

It has a very extensive lingual support, covering all European Latin scripts.

The font contains all characters you'll ever need, including all punctuation and numbers. 

Bricola (rhymes with Nicola) is a condensed display face that contrasts soft curved outlines with sharp cuts and counters.

Sturdy and idiosyncratic, Bricola is an eye-catching blend of functional and funky, appropriate for headlines, labels and branding.

The licensed family includes Regular and Bold weights that both pack a punch, and also two handy italics (obliques).

KyivType Sans is a part of the KyivType superfamily, consisting of three subfamilies: Sans, Serif and Titling.

Initiated by Projector, Dmytro Bulanov Creative Büro, and Banda Agency for Kyiv city (Ukraine) identification and promotion. Freeware. Fonts are free for commercial and non-commercial use. 

More at Behance.

Benzin is a geometric sans serif family that comes in 5 weights.

This is a universal font that can be used for both headings and paragraphs, thanks to the customized kerning for bold and thin style. In the thin style, the kerning is more sparse, in the bold style it is more dense. This allows you to immediately use a bold style in large headlines and posters, and a thin style in small texts and paragraphs. This is very convenient and you don't need to think about setting up kerning.

Modern, modular, mechanical & industrial display font derived entirely from polygonal forms with no curved shapes. Holo is a contemporary family suitable for large display settings like sports jerseys, shop fronts and billboards.

PODIUM Soft is variations of PODIUM Sharp typeface designed in 2019. Family consist of 13 styles from ultra compressed to extra expanded. Main purpose of this project was idea to make hybrid between different modular and geometric woodtypes that I found in old polish specimens: Rex, Blok, Bacarat etc. Thanks to big range of different styles, PODIUM will be perfect choice for visual identities, posters and display usage. 

FS Lucas is a geometric typeface. Based on near-perfect circles, triangles and squares. Taking classic geo formal qualities that have been optimised for the demands of modern brands, online and offline usage, readability and accessibility. FS Lucas is the bold and deceptively simple result.

SK Primo is a monumental geometric grotesque created to stand out.

An unusual combination of smooth rounded contours and sharp square shapes creates a visual contrast that is noticeable. Carefully adjusted shape and attention to detail make this font a great help in the work of the designer. SK Primo is ideal for headlines, posters, banners, and text highlighting.

Two styles, solid and outline, were developed to address all communication needs.

SK Eliz is an eight-bit old-school geometric font based on pixels. Despite the old school, the font looks modern and simple. The font is built on a clear geometric grid, verified to the last pixel. It is ideal for design works in the old style, illustrations and for game design.

This font also contains a set of pixel icons for more convenient operation. There are also paired styles of numbers.

The font comes in one weight but it has 850 glyphs which supports classical Latin, Cyrillic and most European languages.

Device™ display typeface is inspired by industrial type used for decals and signage. This typeface pairs nicely with geometric sans serifs like Cerebri Sans and HK Grotesk.