Anfisa Alexeyeva

A photo of the now closed [circa-1953] Lowell Municipal Pool (at 1601 N. 28th St.) in Boise, Idaho shows the words “Municipal Pool” formed into the cement of the entrance to the above-ground swimming facility.

Both the lettering and building entrance designs harken back to the Art Deco era and the sign features stencil-like characters.

This inspired a typeface aptly named Municipal Pool JNL, and is available in both regular and oblique versions.

Unique and decorative signage for many drive-ins, motels, food stores and other businesses of the 1940s had what was referred to as “privilege signs” provided by one of the major cola brands.

Consisting of the brand’s emblem on a decorative panel, the remainder of the sign would carry the desired message of the storekeeper (such as “Drive-In”) in prismatic, embossed metal letters.

Inspired by the Art Deco sans serif style of those vintage signs, Privilege Sign Two JNL recreates the type design in both regular and oblique versions. The typefaces are solid black, but adding a selected color and a prismatic effect from your favorite graphics program can reproduce the look and feel of those old businesses.

This is a companion font to Privilege Sign JNL, which recreates the condensed sans serif lettering of other privilege signs from

the 1950s and early 1960s.

A 1930s travel poster from American Airlines had the airline’s name in a classic thick-and-thin Art Deco design of hand lettering. With the addition of angular spurs, some of the characters become semi-serif in nature.

This type style is now available as Travel Plans JNL, in both regular and oblique versions.

Classike is a high contrast squarish display typeface. Inspired by the Art Déco period from a modern perspective. Refined and elegant yet with a mechanical vibe, it is ideal for pairing with any functional font, it works especially well with Geogrotesque, from which it inherited its proportions and soul. Classike adds an exclusive touch and helps enrich your graphic voice. A Variable Font version is included with the family or as a separate style. Read some thoughts about the design process at the Emtype's blog. 

Office Staff JNL is a version [with serifs added] of Popularity JNL – a condensed Art Deco design based (for the most part) on a popular typeface known in some foundry books as ‘Radiant’ with some reinterpreted characters… and is available in both regular and oblique versions.

The words “Benny Goodman & His Orchestra” on an appearance poster for the band from 1936 were rendered in a beautiful semi-script style of hand lettering.

A 1930s WPA (Works Progress Administration) poster advertising an exhibit of New Jersey area posters had its main lettering rendered in a very condensed hand lettered interpretation of the ever-popular Futura Black Art Deco style.

This has now been re-drawn and digitized as Art Event JNL, in both regular and oblique versions.

Here’s yet another interpretation of the classic “thick and thin” sans serif lettering most popular during the Art Deco era.

This particular design comes to you through the courtesy of a hand lettered 1930s travel poster from the Pennsylvania Railroad. Some capitals are much wider than others, while the lower case ‘i’ is somewhat truncated.

Rail Travel JNL is available in both regular and oblique versions.

The hand lettered title found on the 1924 sheet music for the tango “Sentimiento Gaucho” (“Sentimental Gaucho”) offered a different take on the thick-and-thin lettering that permeated the late 1920s through the Art Deco age.

A ‘slash’ or ‘swipe’ is cut through the characters (similar to “Directa JNL” – another take on this type of design).

Last Tango JNL is the digital recreation of this novelty lettering and is available in both regular and oblique versions.

The hand lettered opening title for the 1935 movie “Thanks a Million” is rendered in a condensed, thick and thin Art Deco sans serif design.

It is now available as the digital typeface Stocks and Bonds JNL – in both regular and oblique versions.

A 1942 menu cover for the restaurant at the Biltmore Hotel in Los Angeles features its name in a stylized Art Deco serif design.

This is has been turned into the digital typeface Bill of Fare JNL, and is available in both regular and oblique versions.

As the basis for this new font artist and designer Lena Schmidt used an old font design by her mother Jutta. At a young age, her mother drew and illustrated a lot with pen and ink. She made beautiful illustrations and many font designs. Schmidt chose one of these drafts - delicately drawn Donovan lyrics - as the basis for this digital handwritten stencil font. What emerged from it is a stencil text and display typeface that relates to Auriol's art nouveau typefaces and the era of impressionism.

More weights will be published in soon.

Published by Spirit & Bones

www.spiritandbonesdesign.com

Designed by Lena Schmidt

www.lenaschmidt.com

SK Mutka is a geometric sans serif made in the style of Art Deco. Its graceful forms are emphasized by the arched structure typical for the style and spirit of Art Deco. The typeface is suitable both for decorative work and for typing because it includes uppercase and lowercase. Moreover, it supports a wide language range. SK Mutka typeface supports extended Cyrillic, Latin, as well as an extensive character set. SK Mutka is perfect for bold and classic designs, for print and web works.

Dan Hardie, a Miami-based graphic artist and creative consultant at Mutiny, Inc. shared an image he’d spotted online of some interesting signage formerly on the front of the Miami Medical Building.

Comprised of hand-cut metal characters (with a thoroughly avant-garde “Art Deco meets Modernist” approach), this instantly became a font design idea unusual and quirky enough to develop as a digital typeface.

The end result is Office Visit JNL, which is available in both regular and oblique versions.

Luar Galaxy a Handwritten Display Font With 3 Style (Regular,Outline and Shadow)

You Can Mix And Match for Your Awesome Project

This fonts is ideal for crafting, branding and decorate your any project. This fonts are perfect for wedding invitation or your blog. Also with their help, you can create a logo or beautiful frame for your home. Or just use for your business, book covers, stationery, marketing, magazines and more.

FEATURES :

Uppercase & Lowercase

Number & Punctuation

More than 219 of glyphs

Multilingual Language

PUA Encode

Ligatures

Alternate

The alternative characters were divided into several Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer.

If you don't have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Versions, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows).

To Access Alternate Characters Click The Link Below:

Adobe illustrator CS https://www.youtube.com/watch?v=geL0Ye02Ryk

Adobe illustrator CC https://www.youtube.com/watch?v=V25yiUh8BcE

Ms Word https://www.youtube.com/watch?v=HxkhZiCuwEw

Coreldraw X7 https://www.youtube.com/watch?v=UBVsufJjons

Adobe Photoshop CC https://www.youtube.com/watch?v=BYKXl58AdNY

Indesign CS https://www.youtube.com/watch?v=HgZTCxKG14Q

Avalaqus is a font inspired by certificate, labels, posters, F&B packaging and has ligatures with alternate style that can make your display better than before. You will get a decorative font, sans, serif with bold and outline styles. And you will also get a set of badges with the open type feature format that match this typeface

Arlian is how I see an elegant scripting font in 2020. The idea behind this typeface is to create a well-balanced, versatile and gender-neutral typeface.

  The typeface does not look overloaded with various elements of the Victorian era. Everything is simplified for 2020, which will also appeal to the younger generation.

Introducing Monday Boulevard - Art Deco Typeface - 4 weights

Monday Boulevard is retro, Art Deco typeface with 4 weights, ligature glyphs, alternates and multilingual support. It's a very versatile font that works great in large and small sizes.

Monday Boulevard is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image.

• Uppercase, lowercase, numeral, punctuation & Symbol
• Light
• Regular
• Bold
• Black
• Alternate glyphs
• Ligatures
• Multilingual support

How to access alternate glyphs?

To access alternate glyphs in Adobe InDesign or Illustrator, choose Window Type & Tables Glyphs

In Photoshop, choose Window Glyphs. In the panel that opens, click the Show menu and choose Alternates for Selection. Double-click an alternate's thumbnail to swap them out.

Feel free to contact me if you have any questions!

Mock ups and backgrounds used are not included.

Thank you! Enjoy!

Troptical is a hypnotic, energetic multilinear typeface that’s all rhythm and movement. Featuring concentric lines and angular construction, Troptical is inspired by the dazzling dynamism of op-art and the clever geometry of Latin American design, with a dash of 8-bit video game playfulness.

Beneath its art-party, sporting-stripe vibes, this typeface is practical to the core. Troptical’s modular, building-block characters that were born to stack. And with five variable widths interchangeable across its three styles, it’s a typeface specifically developed for mixing and matching characters so every word is a design in itself. Troptical comes in three line weights across all styles and widths. C’mon, let’s dance. 

Font specs

Designed by In-House International and led by Alexander Wright, Troptical is available for Opentype format (.otf) compatible with Mac and PC. Each style family also includes a Variable option designers using compatible platforms. Check compatibility / support status for variable fonts at v-fonts.com/support/

Troptical is available in five standardized, interchangeable widths marked with ascending numbers that represent their span in columns: 10, 15, 20, 25, and 30. Each width is offered in three weights: Light, Medium and Bold. 

With a total of 45 unique fonts across such a wide range of weights and styles, this type family makes it easy to create optical, dynamic typographic treatments for when you just need your stills to move. It’s perfect for logos, large and graphic headers, publishing applications, presentations, packaging, apparel, merchandise and pedestrian-focused outdoor signage. 

This is condensed and more visually compact version of Skarpa font. All kerning has been thoroughly revised and manually adjusted.

The font is based on geometric forms devoid of excessive flourishing.

Would suit modern designs either in fashion, technology or laboratory setting. Would look good on door plaques in pharmacy or simple drawer plaques - especially Medium or Bold specimen. Lighter specimens would look good in leaflet & magazine print (see presented posters).