Anfisa Alexeyeva

The Comic-Script by ingoFonts

In the past cartoons used to be lettered by hand. Hardly anyone does this today. The reason is, because hardly anyone has nice handwriting these days, so there are practical advantages in having a special font. However the font should still look like it’s been written by hand. Well, most script fonts don’t meet this requirement.

The LeDrôle Lettering is a computer font, but closely resembles genuine handwriting.

The model for the LeDrôle Lettering is my personal handwriting, as can be seen on the example of the Biró Script, which is also an ingoFont.

The habit of capitalization comes from the Romanic and Anglo-Saxon countries. Depending on the purpose they are designed in three significantly bolder weights.

In order for the typeface to actually look handwritten, it needs to have clearly visible irregularities. These are not found only in the shapes of the individual letters. Even though LeDrôle Lettering is all in capital letters, the characters of uppercase and lowercase letters are clearly different. Additionally, many alternative shapes are used, which are automatically applied when the OpenType “Ligatures” feature is activated. Thus, there are no identical double letters or numerals, and many character combinations are defined as ligatures with alternative forms.

Afire is a sans-serif of understated warmth and elegance. Through clean legibility and gentle embellishment, Afire delivers lively bounce with sophistication.

Introducing a creative font named No rules. It's a very unique typeface with modern experimental shapes. It includes five different styles for letters and numbers. No rules font can help you to create an unexpected texture and graphical rythm.

Each next letter will be automatically switched to another variation using OpenType contextual alternates feature. Using capital or lower first letters will make a different looking words. Also letters set can be changed using stylistic alternates feature.

Please note: Only english alphabet and numbers have five glyphs variations. Multilingual characters have only two of them for capital and lower case letters.

Ardalos is a modern brush font, a contemporary approach to design, rather having a slight texture on the edges of the letters and this font also has an underline that makes your design more attractive.

Suitable for use in title designs such as clothing, invitations, booklets, stationery designs, quotes, branding, logos, greeting cards, t-shirts, packaging designs, posters and more.

Polites is a millennial generation serif font family, made with a very soft touch and it comes in 12 upright weights. Polites works great in any branding project, for logos, magazines, films. The different weights give you a full range of applications, while the outlined fonts give a real modern feel to any project.

Multilingual support for various languages, including: French, German, Spanish, Portuguese, Italian, Dutch, Finnish, Swedish, and more.

OpenType features can be accessed by using OpenType smart programs such as Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office. They can also be accessed through the character map.

Maler is a straight font with futuristic and minimalistic look. Due to the angularity and high contrast, the font combines rigidity, sharpness and elegance. The font is suitable for creating logos, wordmarks, titles, taglines.

The name Jeullyta is taken from the Indonesian language but with modified pronunciation. The correct one is Jelita which means "Gorgeous".

I named this font Jeullyta because it is gorgeous, from the initial process until the end product. It is a strong yet nice looking script font and can be considered a brush font too with the shadow on the body of each glyph.

This font is suitable to be used for:

• Posters
• Advertisement
• Book Cover
• and much more

It comes with hundreds of stylistic alternate glyphs to enhance the feel of your design. Enjoy!!